Behringer CX3400 V2 Кросовер / Гучномовець
The Behringer Super-X Pro CX3400 V2 is a high-precision active crossover that splits your audio signal into the right frequency bands for each loudspeaker. It supports stereo 2-way, stereo 3-way, and mono 4-way operation with Linkwitz-Riley filters at 24 dB/octave, individual limiters on every output, and adjustable time delay for phase alignment. A switchable CD horn pre-EQ and a mono Low Sum subwoofer output round out the feature set, making it a flexible signal-routing hub for live rigs and installed PA.
- Three operating modes — stereo 2-way, stereo 3-way, and mono 4-way — cover everything from a small club PA to a full multi-driver system.
- Linkwitz-Riley filters at 24 dB/octave deliver steep roll-offs so each driver only receives the band it can reproduce cleanly.
- Built-in limiters on every output protect your amplifiers and loudspeakers from damaging peaks.
- Servo-balanced gold-plated XLR inputs and outputs, a switchable 25 Hz low-cut filter, and a 1 RU metal chassis built for the road.
Behringer CX3400 V2 Crossover — High-Precision Frequency Routing for Any PA
The Behringer Super-X Pro CX3400 V2 is a professional-grade active crossover designed to split a full-range audio signal into the precise frequency bands each loudspeaker needs. With three operating modes — stereo 2-way, stereo 3-way, and mono 4-way — this unit adapts to anything from a compact club PA to a multi-driver touring rig. The CX3400 V2 is the right choice for sound engineers and venue operators who need clean frequency separation, reliable driver protection, and flexible routing in a single rack unit.
Standout Features of the CX3400 V2
What separates this crossover from simpler 2-way units is its switchable CD horn pre-EQ, which raises the signal by 3 dB at 3.5 kHz and continues at 6 dB/octave up to 22.5 kHz to compensate for the natural efficiency loss of constant-directivity horns. A mono Low Sum output sums the left and right low-frequency signals into a single subwoofer feed, taking advantage of the fact that very low bass is perceived as omnidirectional. Each output also carries its own limiter, mute switch, phase-reverse switch, and gain control, so troubleshooting a misbehaving cabinet becomes a matter of flipping one button.
Filter Topology and Frequency Separation
The heart of any crossover is its filter slope, and the CX3400 V2 uses state-of-the-art Linkwitz-Riley filters at 24 dB/octave for steep, phase-coherent band separation. This slope keeps overlap between adjacent drivers to a minimum, so woofers, mids, and tweeters each receive only the spectrum they can reproduce cleanly.
- Filter Type: Linkwitz-Riley — industry-standard topology prized for flat summed amplitude response and zero phase difference at the crossover point.
- Filter Slope: 24 dB/octave — steep roll-off that minimises the overlap region where two drivers would otherwise compete.
- Operating Modes: Stereo 2-way, Stereo 3-way, Mono 4-way — one chassis covers the most common multi-amp configurations used in live sound.
Driver Protection and Phase Alignment
Beyond splitting frequencies, the CX3400 V2 actively protects the loudspeakers downstream and lets the engineer time-align the rig. A switchable 25 Hz low-cut filter on each input guards low-frequency drivers from sub-audible content, while adjustable time delay on each output compensates for the physical offset between drivers stacked at different heights.
- Output Limiters: Individual limiter on every output — catches peaks before they reach the amplifiers and protects the loudspeaker investment.
- Low-Cut Filter: 25 Hz, switchable per input — removes inaudible sub-bass that wastes amplifier headroom and risks driver damage.
- Time Delay: Adjustable per output — phase-aligns drivers that are physically offset, so the acoustic wavefront arrives at the listener coherently.
Connectivity, Power, and Build
The rear panel is built around servo-balanced, gold-plated XLR connectors for every input and output, keeping the signal path quiet over long cable runs. An internal switch-mode power supply accepts 100–240 V worldwide mains, and the whole unit fits into a single 1 RU rack slot.
- Audio I/O: 2x XLR line inputs, 6x XLR line outputs — enough head-end connections to feed a stereo 3-way rig plus a mono sub send.
- Power Supply: Internal switch-mode, 100–240 V worldwide operation — no voltage selector to worry about on international tours.
- Chassis: 1 RU metal enclosure, 48.3 x 21.6 x 4.45 cm, 2.5 kg — slides into any standard rack and survives the road.
Who Is It For
The CX3400 V2 fits the rack of any sound engineer running a multi-amplifier PA — from a small club or house-of-worship system up to a larger hall with subwoofers and stage monitors. It is the right choice for live-sound operators who need Linkwitz-Riley-grade filter slopes, individual output limiters, and phase-alignment delay without paying flagship prices. Studio owners adding a subwoofer to their monitor chain will also find the Low Sum function and 25 Hz high-pass useful for clean low-end integration.
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